![]() And then also not wanting to be deemed as lazy amongst my coworkers and managers. I think the motivation in that time was that I needed to get through the day. I think a lot of it, for me, was just like when I was in the restaurant industry. But where do you think your work ethic comes from in this way? You’re known for playing a million open mics as you were coming up. So, it was a mixture of things I attributed to that sound. There was a time in my songwriting journey where I just felt compelled to shape my songs around soul music, along with the community of musicians I used to run with. It’s just one of those things-throughout our lives we store so much music and influences and it ultimately just pours out into the art. My father was really into Otis Redding, Curtis Mayfield, and Sam Cooke and my mother was into Anita Baker and Sade. Man, I think a lot of that comes from-I would say the seed was planted initially through my parents. What do you think originally drew you to older sounds or aesthetics? by the name of “A Wink and a Smile.” I remember as a kid thinking it was kind of like an older tune, not knowing that was a modern record of the time. Some of the earliest memories for me was when my mother would go pick up my father from work and she would play the Sleepless in Seattle soundtrack. Jake Uitti ( Under the Radar): When did you first discover music as a young person? We also talked the repercussions of fame and working in the restaurant industry. We caught up with Bridges to ask him about the genesis of the single, video and LP. The video for the romantic track was directed by the famed artist and musician, Anderson. Yet, when you’re one of the best singers on earth, few days are uneventful.īridges, who will release his forthcoming LP, Gold-Diggers Sound, on July 23 via Columbia, released the record’s first single, “Motorbike,” and corresponding music video today. To him, often an uneventful day is the best kind. But, deep down, Bridges is a low-key fellow. In fact, one might want to hear him belt out a vocal run more so than the crooner seems willing. Rather, Bridges is often reserved, measured, composed. But it’s not one that he throws out bombastically or haphazardly. He collaborated with several artists last year, including Lucky Daye, Kiana Ledé, John Mayer, and Khruangbin.Grammy-winning singer/songwriter, Leon Bridges, has one of the best voices on the planet. Most recently, Bridges covered “Like a Ship” by Pastor T.L. It arrives with a music video directed by Anderson. The song is the launch single of the Gold-Diggers Sound era. Martin appeared on the meditative tune “Sweeter,” which makes the 11-track release.Īnother song on the album is “Motorbike,” the wind flowing ode to addicted lovers holding tight to each other until the next adventure of their passionate romance. ![]() The new album is his first to yield guest appearances, with Robert Glasper, Ink, and Terrace Martin, on board as collaborators. It was all for the love of R&B and musicianship,” Bridges shared about the making of Gold-Diggers Sound. and waking up with coffee and getting to work at 10:00 p.m. We would be finishing our tequilas at 10:00 a.m. We effortlessly moved from the dance floor to the studio. “I spent two years jamming in what often felt like a musician’s paradise. įor this upcoming set, Bridges spent many sleepless nights in Los Angeles with musical friends on what he has described as his “most sensual and confident album to date.” The album is executive produced by himself and Ricky Reed, who made tracks on Bridges’ sophomore effort Good Thing. His latest will arrive on July 23 via Columbia Records. He has followed in the familiar footsteps of his past two acclaimed albums and handpicks influence from psychedelia for his third album Gold-Diggers Sound. Leon Bridges has long been one of the most consistent R&B traditionalists of his generation.
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